Lapicida has been chosen to partner with English Heritage to create an exclusive collection of limestone floors in three formats inspired by the different flooring found in the buildings cared for by English Heritage.

Each stone is available in three formats: 400mm x 400mm square; 500mm x random flag; and 400mm x 400mm octagon with inserts. All are hand-finished with diamond brushing by the team at Lapicida for improved durability and gives each stone a distinctive character and an aged appearance:

• Blackfriars Cream was inspired Blackfriars Priory, Gloucester which dates back to the thirteenth-century and is one of the most complete surviving Dominican friaries. 
• Belsay Blue Beige takes inspiration from the Pillar Hall at Belsay Hall in Northumberland. Completed in 1817, it designed by the then owner Sir Charles Monck, inspired by the sites of antiquity he had seen on his honeymoon in Greece. 
• Brockhurst Blue was inspired by Fort Brockhurst in Hampshire that was built in the mid-nineteenth century, to defend England’s shores from a possible French invasion. 
• Built in the 1720s, Marble Hill in Twickenham was the inspiration for Marble Hill White. A Palladian-style building on the banks of the Thames in Twickenham, it's one of London’s finest historic houses.

Alexandra Bovey of English Heritage said: “English Heritage is delighted to collaborate with Lapicida. We identified them as the leading expert in high-quality natural stone flooring and it’s been a pleasure working with them to create a collection which takes inspiration from places in our care.”

Bookings are now open for the Stone Federation's Natural Stone Awards taking place Friday 6 December at London's Leonardo Royal Hotel Tower Bridge.

The event will honour some of the best natural stone projects and is a highlight for many – uniting more than 300 architects, designers, contractors, clients, and natural stone industry companies – who take the opportunity to celebrate and network. 

This event is always popular and the Stone Federation are encouraging booking early to avoid disappointment. There will be a limited number of Gold and Silver table packages, which will be allocated on a 'first-come-first-served' basis. 

Individual places start from £155 + VAT while a table (seating 10) starts at £1,550 + VAT. To book your table or places, please email awards@stonefed.org.uk.

Natural Stone Industry Training Group (NSITG) has worked with the Construction Industry Training Board (CITB) to develop several short duration courses to enhance the skills of those who work in the stone industry.

These courses were created with input from organisations within the sector and are now approved and ready for delivery. Six courses will now be available and include:

• Defects management in construction introduction
• Lime mortar introduction
• Drawing skills for stonemasonry introduction
• Setting out in stonemasonry intermediate
• Prepare backgrounds to receive stonework introduction
• Produce templates for stonemasonry introduction

Each course is around six hours long and NSTIG has said it will continue to work on further development of other short duration courses – and with training providers and colleges who will be able to deliver them.  

The short duration courses are not designed to replace apprenticeships or a lead to a qualification but a short duration training that can be used to upskill team members or provide an introduction to a particular skill.

All available courses can be found on the CITB website.

Tom Waugh MRSS is a sculptor working with natural stone and has been an associate member of the Royal Society of Sculptors since 2018. After gaining a First in Architectural Stone Carving at the City and Guilds of London Art School, he went on to produce work for St Pancras Station, St Martin in the Fields and St George’s Chapel, Windsor. You can also see his work in the collections of Warwick University, Gladstone’s Library and Messums Wiltshire. He has previously spent time in India studying traditional carving techniques with the temple carver Raja Saceran and takes inspiration from crushed and squashed objects that are often overlooked. We catch up with him to find out more.

Can you tell us how you got into stonemasonry?
In 2002, I was unemployed and living in Bristol. There was a church being restored in St Pauls near where I lived, and I was fascinated by seeing the masons working stone at the bottom of the scaffold. I asked the head mason if he would take me on and I quickly progressed from sweeping up to fixing and working stone. I studied stonemasonry for a year while I was working at St Paul’s Church and then moved to London to complete a three-year diploma in Architectural Stone Carving at the City and Guilds of London Art School. The course focused on figurative and decorative carving, but my foundation in stonemasonry was invaluable. I went on to work on conservation and restoration of historic buildings and monuments including St Paul’s Cathedral, St Martin in the Fields and the Perseus and Andromeda Fountain at Witley Court.

What inspires you?
I take inspiration from many sources but at the most basic level I like forms that are crushed or squashed. One of the first pieces that I carved was a crushed cardboard box that reminded me of classical and baroque drapery. This theme appears consistently throughout my work.

What reaction do you hope your work will provoke?
I hope my work is enjoyed by a wide range of people, I try to make work that I would like to see, and I often use humour to convey a more serious message.

Can you talk about your artistic process?
In my work I represent everyday objects in stone and marble. I select different materials that share qualities with the objects that I am representing. I recently carved a wheelie bin using grey marble to look like plastic and a jerry can in ironstone that looks like rusty metal. There is always a seed of an idea that will sit with me for a while before I commit to it, sometimes after several years. For me the message is as important as the finished object but I like my work to stand alone, without the need for an accompanying text. I am always trying to push the boundaries of what is possible in stone and I hope this will play a small part in moving the craft forward.

Do you have a dream commission?
I have completed a number of public art commissions and I always love the opportunity to see my work in shared spaces. My dream commission would be a large-scale stone sculpture in a prominent public space as previous commissions have been smaller or on housing developments where they are not seen so much.

Where would you most like to see your work placed?
In a city centre, maybe Bristol or London.

In terms of materials, what is your preferred stone to work with?
I love the results of working with marble but the finishing takes a lot longer than limestone. I also like Great Tew Ironstone – it is tricky to carve because it is so inconsistent but it has a rusty metal look which I love. The stone that is nicest to carve are some of the French limestones like Caen or Lavoux.

Hand tools or machines?
I use a combination of traditional techniques and modern tools. For my 1:1 sculptures I will sometimes use a pointing machine for accuracy, and to scale up I use proportional calipers. I start roughing out with angle grinders and I move on to pneumatics. I always finish with a hammer and chisel. All tools have their place if used correctly and not overused.

Do you worry that the art of stonemasonry is dying?
I do worry that a lot of traditional skills are in danger of dying out, including stonemasonry. There will always be a need for hand cut stone to preserve our built heritage and stone and marble will continue to be used for sculpture but as a trade I think it is definitely under threat.

Whose work do you admire most?
The sculptor that I keep coming back to is Gian Lorenzo Bernini. His ability to transform hard marble into soft flesh or flowing drapery is extraordinary. I am always looking for sculpture that confounds expectation, where it is not immediately clear how it was made or what from. Richard Wilson’s installation ‘20:50’ had this effect on me when I saw it in 2003. He uses crude oil to fill a gallery with a walkway going out to the middle of the space. This creates a surface so reflective that it initially appears to be empty space.

To find out more, visit: tomwaugh.com

The Worktop Fabricators Federation (WFF) met with members of the Health and Safety Executive at Porcelanosa in Glasgow to review draft guidelines to improve manufacturing practice, highlighting the need for proper risk management and the dangers of dry-cutting.

This was the first opportunity for members, potential members and sponsors of the WFF from England and Scotland to comment and reflect on the proposed safety guidelines designed to help keep workers safe.

Senior HSE occupational hygiene expert Sue Hamblin and stone industry lead Natalie Tinsley shared the thinking behind the new guidelines, and the HSE’s determination to address the industry’s fears that the actions of a few unprincipled manufacturers might compromise the whole market for engineered stone worktops.

“There is no appetite in Westminster for Australian-style product-bans,” said WFF consultant Chris Pateman. “If the Australian industry had been subject to the kind of regulatory environment we enjoy in the UK, the ban would probably never have come about in the first place.

“All of the UK cases of occupationally-acquired silicosis so far have been among young men who have contracted the disease over a very short time frame, because they have been routinely exposed to many times the Workplace Exposure Limit. The WFF and the HSE are working closely on this, because we have a mutual interest in ensuring good practice is recognised.”

WFF members are all invited to review and share comments on the draft guidelines, before HSE takes a view on how and when to publish a final version – something that will be suitable not only for professional fabricators, but for building site managers, for point-of-sale display next to stone worktop blanks in joinery wholesalers, and for kitchen showroom managers, to remind them that with the decision to sub-contract fabrication of a stone worktop comes a legal responsibility as the lead contractor to ensure that fabrication is undertaken against a properly risk-assessed procedure.

For more information, contact: office@worktopfabricators.org

Stone Automation Ltd has agreed a distribution partnership with Leica Geosystems starting with immediate effect. With more than 200 years of history and experience, Leica Geosystems, part of Hexagon, supplies premium sensors, software and services to professionals in surveying, construction, infrastructure, mining, mapping and other geospatial content-dependent industries. 

Leica Geosystems recently introduced the new Leica Geosystems software-based and AI-enabled solutions for interior finishing and digital templating tailored to the residential construction market and specifically for the creation of digital templates for countertops, splashbacks and including offsets, roundings and cut-outs.

The brand will join Donatoni, Wodiam, Tesimag and Slabsmith and increase Stone Automation's portfolio to five brands and enhance its offering to the stone, glass, ceramic, tiling and engineered materials processing industries in the UK and Ireland. 

Stone Automation founder Salvatore Caruso said, “Becoming a channel partner for Leica Geosystems is proud moment for everyone at Stone Automation. Their innovative and high precision solutions lead the market and are devised with an incredible focus on the users and an understanding of their daily tasks. We know that Leica Geosystems’ solutions will help a wide spectrum of fabrication businesses work more efficiently, and that is at the core of our business. We are really looking forward to introducing their intuitive products to the region and supporting new customers.”
 

Adhesive manufacturer Kerakoll Group has announced the appointment of two new managers which the company says will help strengthen its organisational structure and guide the business through the process of market development planned at both national and international level.

Ezechiele Galloni is the group’s new chief financial officer (CFO) will be in charge of administration, finance, management control, business planning, treasury management and legal matters, while Gabriele Retucci has been appointed to the position of chief marketing officer (CMO), in charge of marketing including product, brand and communication, and market intelligence.

"The arrival of Ezechiele and Gabriele significantly reinforces the top management team, representing a step forward in our expansion strategy", explained Marco Zini, chief executive officer of Kerakoll Group. "Their expertise and international experience are perfectly in line with our objectives in terms of growth and innovation. We are thrilled to welcome them to our team and excited to work together to build a successful future for Kerakoll and for the people who work in the Group".

Ezechiele Galloni, new CFO of Kerakoll, brings with him experience spanning two decades in the industrial and financial sector, together with demonstrable experience in the international sphere. With a degree in Business Economics from Bocconi University and a master’s in administration, Finance and Control from the University of Modena and Reggio Emilia, Galloni began his career in Snap-on, where he became CFO Europe. He went on to obtain important roles as Group CFO in SPAL, Lincotek and later FAAC Technologies, his last position before joining Kerakoll.

During his experience as CFO in FAAC, one of the world’s leading operators in the supply of systems for automation and access control, he managed nine acquisitions in four continents, simultaneously acting as chief compliance officer and, since 2023, M&A Director.

Gabriele Retucci, the new CMO of Kerakoll, boasts a rich, diverse career in marketing and sales. A construction engineer, Retucci began his career in Hilti, where he took on roles of growing responsibility in Italy, Liechtenstein, Switzerland and Germany.

He guided successful projects as head of product marketing Central Europe and head of marketing South Europe and, from 2022, as head of sales and marketing Europe for Hilti’s 'Construction Software' Business Unit, and he managed the post-acquisition integration of Fieldwire in Europe. Previously, he worked as product leader in Hilti on product development projects, and as technical service leader at international level.  

More than 50,000 visitors attended the 58th edition of Marmomac in Verona during September. During the four-day event held at Veronafiere, it attracted visitors from 140 countries, 66% of those from outside Italy.

During the event, attendees were able to meet with representatives from 1,485 companies from 55 countries, spread over an area of 74,000 sqm occupying in all 12 show halls and four outside areas.

These figures confirm the show as a leading event for the entire global natural stone community, representing in every segment of the supply chain, from unhewn stone to processing technologies, and experimental applications in architecture and design fields.

Federico Bricolo, president of Veronafiere commented: “The 58th show highlights the leading role of Marmomac as a model of internationality and innovation, as clearly pointed out by the Minister of Enterprise and Made in Italy, Hon. Urso, during the opening ceremony. Such success is the outcome of strong collaboration with Confindustria Marmomacchine, the ITA Trade Agency, the MAECI and MIMIT Government Ministries, trade associations and institutions in the local area."

In terms of attendance by international visitors, the show was a litmus test for trends on the main destination markets for Made in Italy natural stone and technology.

Managing director of Veronafiere, Maurizio Danese added: “Marmomac is the absolute landmark for the entire global natural stone industry, and as such also reflects changes in economic and geopolitical tensions. Confirmation of this emerges from the composition of the top 5 international buyers: in order, Germany, Spain, USA, France and India. Compared to 2023, we saw a downturn in attendance from Germany and France, consolidation for Spain and the United States and a 10% increase for India. Mention must also be made of the two-figure performance by the United Kingdom at +20%.”

It has also been announced that there are to be new initiatives to further support the natural stone agenda.

“During Marmomac, we signed the renewal until 2029 of the framework agreement between Veronafiere and Confindustria Marmomacchine for joint international promotion of the Made in Italy natural stone system," said Adolfo Rebughini, CEO of Veronafiere. “This is joined by the launch of Marmomac Brazil, a new trade fair platform that will make its début in São Paulo in 2025 to consolidate our positioning in the Americas. These two initiatives are part of a long-term vision designed to expand penetration by Italian and international companies into strategic markets."

This year, the show offered plenty of opportunities for learning with more than 40 conferences and workshops in The Plus Theatre and A Matter of Stone, culminating with the Marmomac Academy courses for architects.

Marmomac 2024 also highlighted female entrepreneurship in the natural stone sector with four women being awarded Masters of Stone for the first time at the National Women of Marble Association and the Masters of Stone ceremony.

Marmomac 2025 will take place on 23-26 September 2025.

The Royal Institute of British Architects (RIBA) has worked with NBS to deliver a new and improved website aimed at specifiers looking to engage with RIBA-approved Continuing Professional Development (CPD) materials.

NBS has been supporting the construction industry with free, RIBA-approved CPD content for more than 30 years by RIBA CPD Providers and this is the latest development for the partnership. The RIBA CPD Providers Network offers architects and other built environment professionals with highly relevant product and specification CPD, helping their ongoing competency and supporting quality in the built environment. All manner of experts, from manufacturers to advisory bodies, make up the members of the RIBA CPD Providers Network, helping architects to work, design and build safely and to enable safe and informed specifications. 

Each year, RIBA Chartered Members are required to achieve 35 hours’ worth of CPD, as part of their ongoing development. Importantly, the new website will make it easier for users to meet CPD requirements and automatically tracks their CPD activity on the site via ‘My CPD history’. 

The new platform offers enhanced search functionality, a simplified classification system, and a refreshed design. Now integrated with NBS Source and NBS Chorus specifiers can easily find RIBA-approved CPD materials. The launch includes a redesigned RIBA CPD Showcase featuring 60 CPDs monthly for increased visibility for RIBA CPD Providers. With over 1,000 CPD resources, the new platform offers a more intuitive user experience, improved filtering, tracks users' CPD history, and can manage favourites.

Helen Frame, director of product at NBS said: “We’re proud to support RIBA in our joint mission to make CPD materials more accessible, encouraging specification brilliance and confidence when designing. CPDs make a huge contribution to ongoing learning and are needed more than ever to meet new regulations and standards. The new platform’s integration within NBS Source and NBS Chorus will give RIBA CPD Providers more visibility while allowing specifiers to search for products and find relevant CPD materials, helping them with their project specifications.

“Our investment in this new platform reflects our commitment to a digital-first approach, delivering an intuitive, user-friendly platform that empowers specifiers to access essential content quickly and effortlessly.”

RIBA’s head of CPD standards, Joni Tyler, said: “At a time when CPD and competence are more critical than ever for construction professionals, we are immensely pleased with the new, modern website. The new RIBACPD.com will make a difference to both specifiers and RIBA CPD Providers. We are very proud to be continuing to collaborate with NBS in this partnership and in supporting their digital innovations. We are especially pleased to be able to bring the RIBA CPD Providers Network into the information fold with NBS Source and NBS Chorus.”

The RIBA CPD Providers Network offers RIBA members and other construction specifiers access to high-quality, RIBA-approved CPD content, available in various formats, including seminars either in-person or online, factory tours, on-demand webinars or at RIBA CPD Expo events. All content undergoes a thorough assessment by RIBA and its chartered architect team of assessors and is designed to be trusted, helping to support safe and informed project specifications.

To find out more, see: https://www.ribacpd.com/