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The Lettering Arts Trust presents – Will Carter: Man of Letters

2022-04-29

The Lettering Arts Centre at Snape Maltings, in Snape, Suffolk, is currently showing an exhibition entitled ‘Will Carter: Man of Letters’, a restrospective that became a casualty of Covid in 2021 but is now in full swing.

Carved and gilded memorial plaque in Welsh slate
Carved and gilded memorial plaque in Welsh slate.​​​​

Will Carter, who died at the age of 88 in 2001, was a master craftsman letter designer, typographer, calligrapher, letter carver, printer and private press studio publisher.

The exhibition is on until 15 May, and the night before it closes (Saturday 14 May) there is a fund-raising charity dinner in The Lettering Arts Centre gallery. The menu will be taken from one carved in wood by Will Carter, although with foie gras substituted with a gourmet alternative because of the cruelty involved in the production of foie gras.

Carved menu
The menu cut in wood by Will Carter.

 

Places at the dinner are £50 per person, including wines and a talk by the exhibition’s curators. Proceeds will contribute towards a Lettering Arts Trust journeyman placement.

To reserve a seat or seats, click here.

The Lettering Arts Trust journeymen receive two-to-three-months training with a Master letter cutter, focussing exclusively on design and carving skills to enhance their career as a letter cutter.

The Will Carter retrospective is curated by Master letter carver Eric Marland, a great admirer of Will’s work, with significant contributions from Will’s son, Sebastian Carter.

Will Carter became interested in type and letter forms at a young age. He founded the Rampant Lions Press in 1949.

The Rampant Lions Press

The company undertook numerous commissions ranging from the jobbing printer’s domestic stationery to the now much sought-after, carefully considered editions for Clover Hill, such as The Book of Jonah that cemented the Rampant Lions Press reputation for fine and elegant compositing and printing.

Will was also an accomplished calligrapher and letter designer. He designed type for Monotype, a designer and supplier of type founts. Most famously he created the ‘Klang’ Series 593, introduced in 1955, which reveals the influence on Will of Rudolfe Koch’s blackletter calligraphy.

Klang fount bold

He collaborated with David Kindersley (who taught will how to cut letters in stone) to design ‘Octavian’, another fount sold by Monotype. His letter carving – in wood and stone – augmented his income from the printing press.

Once the exhibition comes to a close at the Lettering Arts Centre at Snape Maltings, it might go on tour, with plans in development for that.

The exhibition is accompanied by a comprehensive catalogue designed by Webb and Webb that chart’s Will’s career. It includes essays by some of those who admire his work, including Barley Roscoe, John Nash, and his son, Sebastian.

Click here to buy the catalogue online now for £12. 

If you can’t get along to the Will Carter exhibition, others that might interest lovers of letter carving include ‘The Nereids’ at the Fermoy Gallery in King’s Lynn as part of the King’s Lynn Festival from 15 to 30 July.

Pherusa by Lisi Ashbridge
Pherusa by Lisi Ashbridge, one of the works that will be on show at the Fermoy Gallery as part of the King's Lynn Festival in July.

The Lettering Arts Trust will be participating at the Becket Pageant for London in the City of London by kind invitation of the Worshipful Company of Masons on 17 & 18 June, where it hopes to give demonstrations of letter cutting.

On 12 May, Louise Tiplady will be demonstrating letter cutting in an event called ‘The Human Being as Maker’ in the tap room of brewers Fabal as part of London Craft Week. Louise was a recipient of a Lettering Arts Trust apprenticeship.

The Lettering Arts Trust is expanding its online offer and enhancing the range of work available to view and to purchase on its website. To shop, click here.

slate headstone carved by Will Carter
Slate headstone carved by Will Carter.

 

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Open days at Intermac Tech Centre

2022-04-29

Machinery, tools and equipment supplier Intermac opened its Tech Centre in Daventry, Northamptonshire, for two days in April and invited stone companies to come and see how they could increase efficiency and the quality of their processing.

Through acquisitions and strategic partnerships, Intermac not only offers its own CNC machines and waterjets, it also sells Donatoni bridge saws, Montresor edge polishers, Diamut diamond tools (distributed by Stonegate), and a range of accessories and technical solutions that stone processors can benefit from.

Intermac is part of the Biesse Group, based in Italy, and Biesse has made the decision to establish tech centres, like the one in Daventry, and use them to demonstrate their machines and equipment. This year they decided to invite companies to the tech centres rather than exhibiting at the 50 exhibitions around the world parts of the Biesse group have previously attended. This year, Biesse is exhibiting at just five exhibitions, two of which are for the stone industry. One was earlier in the year in America and the other is Marmo+Mac in Verona 27-30 September. Roberto Vienello, Intermac’s Stone Division Sales Director, said during the tech centre open days that the shows Intermac will be at next year will include a booth at the Natural Stone Show in London.

During the open days on 26 and 27 April there were live demonstrations of:

  • a 5-Axis CNC showing cutouts, drainer flutes and polishing
  • a 5-Axis waterjet demonstrating mitred cutouts
  • a 5-Axis bridge saw performing lift and shift operations and simulations of sawing
  • edge polishing including chamfers and variable thickness processing.

One of Intermac's most popular CNCs is the Master 33.3, although when Intermac added a second tier tool holder it added more than half a metre to the width of the machine, which some stone companies found made it too deep to fit into the same space as a previous model when they were replacing their 33s. However, Intermac does also offer the 33 with a single deck tool rack with a 3.9m depth and with a carousel tool rack so the machine is 3.5m deep, although they hold fewer tools.

For some, the Master One is proving popular now it has been fitted with a 15kW spindle for the stone industry. Previously it had a 9.6kW spindle.

Intermac Master One
The Intermac Master One with a 15kW spindle for working stone.

Intermac said 20 companies had registered to attend the tech centre open days. One of them was Belgravia Stone in York, and Stone Specialist spoke to Sam Tree and Phil Widdowfield from Belgravia Stone when they visited. Belgravia has just bought a second Donatoni Jet bridge saw, has a Master 38.3 workcentre and a Primus 402 waterjet. Sam and Phil said they had come along particularly to take a close look at the Montresor edge polisher.

Sam and Phil are pictured below talking to Chris Pateman from the Worktop Fabricators Federation (WFF), which had been invited along to the Intermac open days to talk to visitors about the benefits of WFF membership. Sam and Phil said they were previously aware of the WFF and are considering joining the organisation.

Worktop Fabricators Federation
Chris Pateman talks to Phil Widdowfield (left) and Sam Tree (right) from Belgravia Stone about the benefits of belonging to the Worktop Fabricators Federation during the open days at the Intermac tech centre.

www.intermac.com 

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Priestman Associates win contracts for training SAPs

2022-04-28

The CITB has just announced the tender winners for the delivery of the CITB Specialist Applied-Skills Programmes (SAPs). The three SAP courses that are most attractive to the natural stone sector are the programmes for:

  • Level 3 Heritage Stonemason
  • Level 2 Stonemasonry Stone Fixing
  • Level 2 Façade Preservation

These programmes are popular as they are minimally disruptive to the contractor’s workload. The programmes combine three elements: 

  1. Employer mentoring of the learner
  2. Off-site training, which averages about 20 days over a year
  3. NVQ assessment

 The programmes are 18 months long with the off-site training in the first 12 months. During the remaining six months the learner is assessed against the relevant NVQ.

Two winners were awarded the Heritage Stonemasonry SAP, they operate separately and under separate contracts to the CITB, but likely there will be some collaboration. Then one winner secured both the Stone Fixing and Façade Preservation SAPs.

The tender winners are as follow:

Level 3 Heritage Stonemason

Level 2 Stonemasonry
Stone Fixing

Level 2 Façade Preservation

Tywi Centre
SA19 6RT
01558 824271
07929770743
Contact: Helena Burke
Canolfantywicentre@carmarthenshire.gov.uk

Priestman Associates LLP
Nationally portable
0115 975 1880
0787 668 7212
Contact: Mark Priestman

office@priestmanweb.com

 

Priestman Associates LLP
Nationally portable
0115 975 1880
0787 668 7212
Contact: Mark Priestman

office@priestmanweb.com

 

 

And Priestman Associates LLP
Nationally portable
0115 975 1880
0787 668 7212
Contact: Mark Priestman
office@priestmanweb.com

 

 

 

The CITB, through its National Specialist Accredited Centre (NSAC) and its Specialist Applied-Skills Programme team do much good for this sector in providing access to what is essentially a fee-neutral offering. Mark Priestman says: "I shudder to envisage how the workforce in the specialisms would fare without the keen focus and appetite for qualifying the workforce that the CITB’s SAP and NSAC team provide."

Financial support provided by CITB not only covers the cost of the training but also travel and accommodation cost.

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National Stone Centre founder Ian Thomas receives Distinguished Service Award from the Geological Society

2022-04-21

Ian Thomas, the founding director of the National Stone Centre (NSC) in Derbyshire is to receive this year's Distinguished Service Award from the Geological Society of London, the world’s oldest national geological society, for his outstanding contribution to promoting the profession and science of geology.

The official announcement has been carried in the Society’s journal, Geoscientist, and the Award will be presented at a ceremony on 8 June at the Geological Society’s headquarters at Burlington House, The Strand, London.

Founded in 1807, the Geological Society of London, more commonly referred to simply as the Geological Society, is one of the world’s premier professional geological organisations. The Society will make Ian Thomas, the now retired founder and director of the National Stone Centre, its 26th recipient of the Distinguished Service Award.

When the news went public Ian said: “Naturally, I am personally absolutely delighted to learn of the Society’s decision to honour me, but in a broader sense, I see it as an endorsement of all we have achieved and are planning to do at the National Stone Centre, by enhancing geological interests nationally."

Ian's award follows previous recognition of the Stone Centre's work in industrial history and sits comfortably with the Centre's recent engagement with the Institute of Quarrying (IQ), which is in the process of moving on to the National Stone Centre's 40-acres site. IQ and National Stone Centre aim jointly to deliver ‘The Story of Stone’ – its origins, operations and its contribution to civilisation and society.

The Geological Society's Distinguished Service Award was introduced in 1998 and is presented annually in recognition of a member who has made an outstanding contribution to advancing the profession and science of geology.

Ian Thomas initiated the concept of the National Stone Centre in 1980. It is a registered charity based near Wirksworth, Derbyshire, from which it runs a Discovery Centre for visitors, various courses and a wide range of services. This year it merged with the Institute of Quarrying, the international professional body with more than 5,000 members (read more about that here). The Peak District Mining Museum also plans to move on to the site, which is being re-designed by local architects of Babenko Associates (read more about that here).

Ruth Allington, IQ and NSC Trustee and President-designate of the Geological Society, says: “It’s wonderful that Ian has been recognised for his lifelong dedication to the science of geology by his peers through this award. His passion for the subject is inspiring and without it we wouldn’t have the facilities at the National Stone Centre there to spark that passion in the next generation.”

www.nationalstonecentre.org.uk

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Welsh Slate tops a sustainability exemplar

2022-04-20

Following the success of the Poundbury extension of Weymouth in Dorset on land owned by the Duchy of Cornwall comes Nansledan, a 218-hectare extension of the coastal town of Newquay on the north coast of Cornwall.

Once again, most of the land for the development comes from the Duchy of Cornwall, a private estate established in 1337 that funds the public, charitable and private activities of the Prince of Wales and his family.

And, once again, the Prince of Wales’ views about architecture, which are not popular with all architects, has influenced the development, with the Duchy’s 'Building Code' governing which materials should be used.

The Building Code sets out a sequence of choice so that, where possible, materials come first from Cornwall. When they are not available from Cornwall there is a hierarchy of preferences for sourcing spreading out to the South West of England, other parts of the UK and then other parts of Europe.

The material options specified by the scheme’s master planners, Adam Architecture, in order to meet the Duchy’s requirements for local materials compatible with a Cornish vernacular wherever possible, have included the use of natural stones such as roofing slate from Trevillett Slate near Tintagel on the North Cornwall coast, from Welsh Slate's Penrhyn Quarry in Wales and Burlington Stone in Cumbria. Granite kerbs and cobbles come from De Lank Quarry on Bodmin Moor. Some of the walling and stone for Cornish hedges is from the family-owned Callywith Quarry in Bodmin. Sawn slate for street signage and cills comes from Delabole Slate Quarry, also in North Cornwall.

Lately, as work continues on Newquay’s mixed-use urban extension, Welsh slates from Welsh Slate’s Penrhyn Quarry have continued to make their mark.

Hundreds of Penrhyn Heather Blues in two sizes (500mm x 300mm and 400mm x 250mm) are being installed on the roofs and as vertical slating on window bays and under-window panels.

The work is being carried out by a pair of specialist contractors for two of the scheme’s three housebuilder developers.

Horizon Roofing, based in Redruth, has been working with housebuilder C G Fry & Son, while Wessex Slate & Tile Roofing Services, based in the Cornish village of Indian Queens, has been working with Wain Homes.

Although the slates have been used on a mixture of styles of houses and apartments at Nansledan, the roof pitches have been designed in a traditional way to accommodate the slate.

As most Cornish vernacular buildings are simple, with simple roofs, the Pattern Book for Nansledan reinforces an approach that minimises the need for any special connections, although they do occasionally happen.

The vision for Nansledan evolved through extensive public consultation, culminating in an ‘Enquiry by Design’ exercise hosted by The Prince’s Foundation in 2004. Detailed planning permission for the first phase of development was granted in 2012 and construction started in early 2014.

Over time, Nansledan will evolve into a community of up to 3,700 homes, with its own high street, primary school, social and public spaces, green infrastructure, and commercial and light industrial units. Nansledan is already home to some 30 local businesses and has quickly become a sought-after commercial location.

Architecturally, the development captures the spirit of Newquay’s urban fabric, sometimes reinterpreting it with a contemporary view to how things have developed in terms of climate and energy use.

Adam Architecture director Hugh Petter, who is Nansledan’s masterplanner and co-ordinating architect, says: “Using Welsh Slate aides the sustainability objective as a reasonably local, long-lasting material. The slate is also characteristic of Newquay and Cornwall. As such it reflects local identity and adds to the cohesion with Newquay.”

Wessex Slate & Tile Roofing Services are two years into the current project phase, fixing the Welsh Slate with two copper clout nails to small roof areas of approximately 80m2, working with around 30 properties in a block.

The specification for them is mainly cold roof space, with rafters under felt, batten and slates fixed in random width and diminishing courses. Sized slates are also used depending on availability.

Treve Kitchen is the company’s estimator and materials co-ordinator. He says: “Welsh Slate is detailed on the build plans for the roofs because of its quality, performance, looks and sustainability credentials. It’s a high-quality product and very good to work with. 

“Our clients, the Duchy of Cornwall, work to very clear principals and place a priority on natural, sustainable, local materials and labour, skills and craftsmanship.”

Inevitably, working through the pandemic has made life more difficult and Treve says: “The project has been logistically challenging due to material shortages and constrictions. Maintaining the resources required on a long-term basis while servicing our other clients has also been a challenge, but one we have certainly been very happy to have!”

Spencer Osborn, managing director of Horizon Roofing, which has completed seven phases, said the roofs were standard in the main, although solar tiles have been introduced to some plots. “Overall, the project is a challenge due to the intense labour requirement, but the Welsh slate has performed perfectly well.”

Nansledan won a 2021 RIBA South West Award when the judges said: “At a detailed level, painted timber boarding, render – rough and smooth – granite, hanging slate, brickwork and art-deco embellishments all combine to bring architectural variety.

“But the real achievement here is at the masterplan level, with a new urban settlement that shows great townscape- and landscape-led placemaking potential.”

The scheme also won the category ‘Framework + Masterplan Large’ in the National Urban Design Awards 2021 and was shortlisted for the Planning Awards 2021 in two categories – Plan Making and Housing Development Over 500 Homes.

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New video from the Masons Livery Company

2022-04-20

The Worshipful Company of Masons, one of the City of London’s senior Livery Companies that is celebrating the 550th anniversary of its grant of arms this year, has produced a video demonstrating how it is still supporting stonemsonry today.

Click here to watch the video.

The video has been produced by the Company’s Craft Fund, which, as Livery member Michelle Turner explains on it, offers bursaries and grants for further and higher education and career-long contact and mentoring networks, while encouraging a high level of skills by providing prizes to students at colleges, through its Duke of Gloucester Awards scheme, and through the Master Craftsman scheme run by the Livery Companies' Craft Council. It also supports the Cathedral Workshop Fellowship and is currently supporting two students on the degree course who do not work for the Cathedrals, with the Fellowship having opened its courses to commercial companies. One works for Matthias Garn in York and one is self-employed.

Anyone seeking help with starting or developing their career in stonemasonry can use the website of the Worshipful Company of Masons to apply for a grant (click here). Anyone willing to make a donation to the Masons' charities can also find information about how to do so on the website (click here).

Adrian Munns, Chairman of the Board of Trustees of the Masons’ Company Craft Fund, says: “The film illustrates – to those already within the craft, those who may wish to enter the craft, and to the general public – the many ways in which the Company supports different aspects of training, education, career personal development and sustainability in the craft of stonemasonry through the Craft Fund.

“Of course, many others do sterling work covering key aspects of craft training and development, but from what I have seen and learnt, all of us need to continue to seek to get the message across about the importance of sustaining the use of stone and the craft of stonemasonry in our nation’s built environment.”

The four-minute video includes comments from students being helped by the WCM, including Jemima Finch-Darling, a student at the Building Crafts College in London, who says she would 'really struggle' financially without the help of the Livery Company. There is also an appearance from Morgan Edwards, at the City & Guilds of London Art School, who has also received a bursary from the Masons Company. He says the attraction of working stone is that he knows it will be around a lot longer than he will be.

They are just two of the 30 people the Craft Fund has helped in the past year to further their stonemasonry skills. The Livery supports the major stonemasonry training colleges of Bath, York, Moulton in Northamptonshire, the Building Crafts College in London, City & Guilds of London Art School and the Cathedral Workshops Fellowship.

The video is professionally directed by Michael Hewson of Electrofilm. It can be viewed on laptop, tablet and smartphone here. Please feel free to pass the link on to friends and colleagues and anyone thinking of starting training in stonemasonry.

www.masonslivery.org

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